Kamelot – Ghost Opera

On June 5, 2007, American power metal band Kamelot released their eight studio album entitled ”Ghost Opera”. I downloaded (I am ashamed, please forgive me) the album the same summer.

Since I first heard Kamelot (with first loves like ”The Haunting (Somewhere in Time)” and ”The Black Halo”) in the summer of 2006, I’ve loved the band. There is something special with their ability to combine some of my favorite genres in metal: symphonic, progressive, power and (on later albums) gothic. My love for the band is nothing that changes with this album, not at all. As a first comment on it… I love the title and art work… I will buy it as soon as I get some money, I promise. However, I more want to buy their ”One Cold Winter’s Night” DVD. It seems cool.

Over to the review.

The album kicks off with a one minute instrumental entitled ”Solitaire”, that really feels like a waste of time, or an excuse to have eleven tracks on the album, cause it sounds much better than eleven…. A solo violin playing the most boring notes, where’s the KAMELOT? Just skip the track… I do.

”Rule the World”, the second track, is one of those songs that has nothing special that sticks out, but that it’s nothing wrong with. I like the raise of Roy Khan’s voice in the chorus, and it’s quite speedy. It doesn’t really touch me otherwise, but it’s really an okay song.

The main track has an eponymous title with the album. ”Ghost Opera” is a speedy, interesting breaking-border song. And GOD that video’s fabulous! It’s quite boring in a way, though… I can refer to Sonata Arctica’s song ”Wolf & Raven”; the song seems to have a great potential but everything fades when it sounds the same without grande changes. It’s not catchy enough.

”The Human Stain” is the fourth track of the album. It is a cynic’s view of the world: everything bad, human kind’s selfishness (”No one really wants to die to save the world”), and the wish to be an innocent child again. It is a good, cool and catchy song, that is sad and interesting with gothic metal-similarities such as the keyboard playing throughout the song.

”Blücher” is based on the sinking of the the German cruiser of the same name in World War II. It’s a bit like ”Rule the World” but better; it’s quite neutral, nothing good nor bad about it… It’s cool with the intro as well as some parts of the background that’s just filled with sounds of the war; screaming, shooting etcetera.

And here comes what I would presume is my favorite track of the album. ”Love You to Death” is a beautiful story about a couple where the girl is dying, and this is his speech to her about how he will stay by her forever, love her to death… It’s the longest song off the album (5:13) and for that I’m glad. It has a cool intro and a catchy chorus… Me like.

”Up Through the Ashes” is what I would call one of the heaviest song of the album. It’s quite angry. I like it.

”Mourning Star” is quite neutral. I’ve got nothing against it, despite it’s not one of my favorite. Guess I miss some kind of turn that never shows up.

Vocalist Roy Khan tries lots of new vocal methods in the song ”Silence of the Darkness”. It also holds a great guitar solo that has a cool, outstanding sound. I guess I’ll try it as soon as I have the powers. This is one of the songs that seems really cool live (I might go to their Stockholm concert in May, 2008, wih).

Kamelot is really good on slow, sad songs, and they usually have at least one per album. On Ghost Opera, ”Anthem” is the one. It is a sad piano song with a fascinating chorus and beautiful yet sad lyrics. I keep listening for the introduction of sudden drums in the end, by ”I’ll be the best I can”. That would sound great… WHY NOT?

The final song of the album is ”EdenEcho” which is another song that would be lovely live. It doesn’t really make it unto my mind, so I cannot count it as one of my favorites. Yet it has a cool chorus.

Tracklisting:

  1. ”Solitaire” – 1:00
  2. ”Rule the World” – 3:40
  3. ”Ghost Opera” – 4:06
  4. ”The Human Stain” – 4:01
  5. ”Blücher” – 4:03
  6. ”Love You to Death” – 5:13
  7. ”Up Through the Ashes” – 4:59
  8. ”Mourning Star” – 4:37
  9. ”Silence of the Darkness” – 3:43
  10. ”Anthem” – 4:24
  11. ”EdenEcho” – 4:13

The album also features two bonus tracks (”The Pendulous Fall” and ”Season’s End”), both which I haven’t heard.

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About Anton Nordenfur

4 thoughts on “Kamelot – Ghost Opera

  1. I too am in love with Kamelot, but I do have one point of contention with you. Even if the first song isn’t ”Kamelot”, I still believe that it adds a certain amount of ethereal beauty to the album… a great way to kick it off in my opinion.

    A single, lonely violin melody… starts slowly, gains momentum and power, climbing higher and higher, now quietly and beautifully dancing, and finally building up into the intro of Rule the World.

  2. I don’t really like the point of intro songs, just cause I don’t like the point of songs that can’t be played on their own. Solitaire would have been really cool if it was included in the beginning of Rule the World instead, that would have been much better… But that’s just my opinion :)

  3. ”The album kicks off with a one minute instrumental entitled “Solitaire”, that really feels like a waste of time, or an excuse to have eleven tracks on the album, cause it sounds much better than eleven…. A solo violin playing the most boring notes, where’s the KAMELOT? Just skip the track… I do.”

    A solo violin playing the most boring notes? You obviously know nothing about music. If you did know something, you would appreciate the arts of all instruments. Pick up a violin and try to play the bad ass solo.

    Sorry, my opinion is…your opinion suck. :]

  4. Ofcourse I do. I know violin is a tough instrument, but Kamelot is a band skilled enough to perform better than this. I don’t say that I don’t like violin, I say that the solo is boring. It is not worked enough with. It would be much better if they composed it better. I don’t know how to explain, cause that’s it. I find the solo boring.

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