I have loved the strange power metal project Avantasia since I first heard The Metal Opera Part II in 2007, and they were in fact the band that made me fall in love with concept albums (alongside Kamelot and their Epica / The Black Halo albums). I loved both two Metal Opera albums, and I loved The Scarecrow when released in 2008, even though I considered and still consider it to be below the Avantasia average of earlier albums.
The Wicked Symphony is the continuation of The Scarecrow, and it is followed by Angel of Babylon which was released simultaneously. I was afraid that The Wicked Symphony would fall below the average settled by The Scarecrow, especially when it came to the poppier tracks such as “Carry Me Over”, but I was pleasantly surprised.
Out of The Wicked Symphony and Angel of Babylon, I place my vote on The Wicked Symphony. The album is covered with three giant epics (two of which follow eachother!) – the title track, “Blizzard on a Broken Mirror” and “Runaway Train” – and the latter two are easily in my top of favorite Avantasia tracks, alongside beauties such as “The Scarecrow”, “The Seven Angels” and “Journey to Arcadia”. Even though “Dying For an Angel” sound like an Bon Jovi meeting pop metal, it is rescued by the multiple heavy immediate power metal classics on the album, including “Wastelands“, “Forever is a Long Time” and “States of Matter“, and “Crestfallen” proves yet again that Avantasia easily can reach beyond traditional power metal.
The song that ends the album, “The Edge“, is a strange song. I generally don’t like its “kind”, if I may say so – loveydovey guitar ballads with a theme of hanging on when everything looks bleak. But this one is different. Maybe it’s different simply because I have my own personal interpretation of the Scarecrow saga and its story, and I can imagine what the song is really about. And if I am correct (don’t tell me if I’m not), it works phenomenally to end the album, and lead into The Angel of Babylon.